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"Taiwan Literature Collective Journals" (Taiwan Wenyi Congzhi) and "Poetry News" (Shibao) had been two of the longest-standing magazines revealed in Chinese through the Japanese Colonial Period. Both magazines aimed to advertise writings in Chinese and maintain the established order as effectively as the importance of Sinology; thus they grew to become representative in Taiwan Literature. Travel notes had been about writers' cultural observations and perceptions of sceneries. Through publications in mass media, these literary works were passed among the many intellectuals and serving the needs of propaganda and discourse. The travel notes printed in "Taiwan Literature Collective Journals" and "Poetry News" coated local and boundary-crossing tours to China and Japan, which had been appropriate materials for the analysis of writers' journey memories and portrayal of landscapes. By looking into these travel notes, we may need a greater understanding of the Confucian communities' perceptions on landscapes home and abroad. Furthermore, since these writers had been educated below Confucian ideology, it would be attention-grabbing to know how their writings coping with conventional Confucian values in the face of modern culture. the travel notes often reveal travelers' experiences of tours, from departure to return. This paper subsequently utilizes ideas comparable to reminiscences, landscape, narrative, illustration, and discourse to interpret the cultural meanings in the travel notes, and appears into various writing methods present in the travel notes, resembling allusions, inter-textual content comparisons, pathos upon landscape, and transference modifications. This paper covers topics together with the implication of travel notes from the publications by the Confucian communities, self-perception and locality perceived during intra-island tours, and tradition differences represented from abroad to probe into the significance of landscape portrayals in the travel notes.